Red Lips And Tongue Logo – The Rolling Stones have one of the most iconic career and infamous logos of all time. You can spot it from a mile away, cherry red lips and tongue just peeking through the teeth of the logo. The logo recently celebrated its 50th birthday in 2020, while the band recently celebrated its 60th musical anniversary.
“Tongue and Lips”, also known as the Hot Lips logo, transcends music and beyond Rolling Stones fans. It’s now a staple on everything from mugs to t-shirts, and even non-fans can enjoy it.
Red Lips And Tongue Logo
The Rolling Stones headquarters contacted the Royal Academy of Arts in London to ask if they could hire someone to make posters for their European tour in 1970. The school recommended Master John Pasche. Pasche met with Mick Jagger and suggested some designs, but Jagger was not happy. Fortunately, the second edition of the poster sealed the deal between Pasche and the Rolling Stones. Pasche created a poster with a 1930s and 1940s aesthetic using a Concorde turbojet engine.
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Later that year, Rolling Stone reconnected with Passher. This time the host was the band’s personal assistant Joe Bergman. Bergman wanted Pascher “to create a logo or a symbol that could be used on flyers, as show covers, and as news book covers.”
Pasche and Jagger meet again to discuss the logo. Pasch recalls that Jagger wanted “an image that could work on its own … like the Shell logo. He wanted that simplicity.” During the meeting, Jagger showed Pasch a Hindu divine map, an illustration by Lee, that Jagger saw at a store near your home.
Pasche recalls that Jagger was more interested in the aspect of Indian culture that was popular in the UK. However, Pache was struck by the protruding tongue from the eater’s mouth. Contrary to popular belief, the tongue and lips are not Jagger’s.
The first proof of the logo was black and white, and Pascher wanted the logo to become a symbol of protest. “That’s what kids do when they stick their tongue out at you. That’s the main reason I think it will work well,” he said.
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Even today, the logo brings in huge revenue for the Rolling Stones. The logo is believed to have fetched hundreds of millions of pounds. Pachet’s salary was £50, which is equivalent to about $970 today. He also received a prize of £200.
In 1976, Pascher drew up a contract to receive 10 percent of the net proceeds from the work. He earned several thousand pounds in royalties, but in 1982 he sold the rights to the band for £26,000.
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In 1969, the idea of branding a music group with a single logo was somewhat novel. This may be one of the reasons why Decca, the label with which the Rolling Stones collaborated at the time, did not put much effort into developing a brand logo. The band badge that Mick Jagger wasn’t happy with. So Jagger decided to let someone else do the job. He visited the graduate exhibition of the Royal College of Art and discovered the designs of John Paschet, who was a student at the time. The musician gave the instructions to Pachet and completed the work in just two weeks.
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The Rolling Stones logo, known as “Tongue and Lips” or simply “Hot Lips”, first appeared on the 1971 album Sticky Fingers. It became an instant icon, so the Rolling Stones never changed it.
What is the Rolling Stones’ language? The tongue-out lip is the official logo of the rock band Rolling States and has been synonymous with the band since the early 1970s and, like many other iconic symbols, has its own name. The name of the Rolling Stones logo is “Hot Lips”. The inspiration behind the symbol
Jagger explained to John Pasche that he wanted the logo to look like the Hindu goddess Kali. One of the features of the Goddess is the imposing mouth and protruding tongue. John Pasche claims that the idea for the mouth symbol came into his head the moment he first met Mick Jagger in person. He mentioned that it was impossible not to see the musicians’ lips and mouths, which were his most prominent visual features.
Additionally, both Pachet and Jagger praised the sexual connotations behind the designs and their anti-authoritarian attitude.
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Jon Pasche reportedly earned just £50 (about $77) from the Rolling Stones logo. However, when the Stones saw the badge, they were so impressed with it that they paid him an extra £200. This is not the only bonus that designers receive for the work. Working with the band for the next four years, he became famous in the music industry and found clients here ranging from Paul McCartney and The Who to Jimi Hendrix and Judas Priest to name a few. He eventually sold the original Hot Lips design or logo to London’s V&A Museum for $92,500.
While The Stones have a unique logo, they don’t actually have a unique word, so the band name can be given in multiple fonts.
The original design was black and white, but was changed to red after it became the official logo. It is perhaps the most logical choice of color, not only because red is the natural color of the human lips and tongue, but also because it is the color of passion and rebellion.
How did the Rolling Stones get their logo? The iconic logo of the legendary rock band The Rolling Stones was introduced in 1970. The red and white logo was designed by the famous American artist and designer John Pasche. According to Pasche, the logo depicts the lips and tongue of the band’s frontman, Mick Jagger. What does the tongue stick out lip sign mean? The tongue-sticking lips on the iconic Rolling Stones logo were painted by John Pasch and, the author says, Mick Jagger’s lips. Mick Jagger wanted his band’s logo to depict the goddess Kali, and the symbol has always been associated with her. VideoIt started as a small logo adorning a 45 rpm engine. Single or strip letterhead. He quickly became ubiquitous and eventually became the most famous icon in rock and roll. For more than 50 years, the Rolling Stones’ legendary “tongue and lips” have been emblazoned on everything from t-shirts and lighters to stage sets, appearing in countless variations over the decades. Although many of those who like it are fans of the band, the logo surpasses the Rolling Stones in many ways. But when it opened in April 1970, its designer, John Pasche, had no idea how popular and profitable it would become.
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The logo will be featured in “Revolution: Records and Rebels, 1966-1970” later this month,
An exhibition at the La Villette theater in Paris was postponed due to the coronavirus outbreak. But I caught up with Pachet, 74, by phone from London last week to find out the story behind it. (I have included other witnesses to his story.)
In the early 1970s, the Rolling Stones headquarters contacted the Royal Academy of Arts in London. The group was looking for an artist to create posters for their European tour in 1970. The art school recommended Pachet, a final year MA. Pascher met with Mick Jagger to discuss the poster idea and returned the design to the singer a week later. Jagger was not happy. “I think it might have something to do with color and composition,” Pascher told the Victoria and Albert Museum in 2016.
The second and final version recalls the aesthetics of the 1930s and 1940s, but also includes a turbojet Concorde for a nicer look. Pasche was contacted soon after by the band’s personal assistant, Jo Bergman. This time, in a letter dated April 29, 1970, Bergman specifically asked Pascher to “create a logo or symbol that could be used on flyers, as a show cover, and as a news book cover.”
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At a meeting with the designer a few months later, Jagger made more specific requests, Pasche recalls: He wanted “an image that would work on its own … like the Shell logo. He wanted that simplicity.” During the same meeting, Jagger showed Pash a portrait of the Hindu god Kali that Jagger had seen in a store near his home and asked him if he liked it.
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