Violin Plans – Site for serious amateur violin makers, restorers and junkers. The front and back of the violin can be adjusted using touch tones. Measure the taps and weights of the boards and adjust them to get the best sound, the type of sound you want, or create an easy-to-fold instrument.
This site can help you if you are making a violin or want to improve a violin or a low cost violin.
Violin Plans
By adjusting and weighing the top and back panels, you can be sure you’ll get a good device that responds well and can sound like a $1500 device.
Spanish Violinist And Composer Patricia Arguelles Plays A Violin Inside A Transparent Glass Structure Set Up Next To Madrid’s Landmark
The “Four Circles” method is described in detail by Kevin Kelly of Kelly Violins: There are 4 or more of his videos on YouTube. But the easiest way to understand the method is to start with a Russell Hopper chart (click on the image to the right).
For plate placement the best guide I found was in Sacconi’s book on the Stradivarius violin “The Secrets of Stradivari” where he gives a nice “contour” of the front plate. And from the back and tell us where to put it. The highest point of the plate.
You can use long, criss-cross patterns that many books allow you to cut out and use as a guide, but I like the way Juliet Barker teaches at CVM in Cambridge, which can be found in her book. Once the bottom (inside) of each plate is flat (perfect), you can use a pencil ruler to create the outline of your choice. This ties in well with Sacconi’s “outline” in his book mentioned above.
I’ve cut out outline guides from cardboard (like David Langsather’s and Sacconi’s) to use with pencil rulers, but is that true? It really feels and looks for archery, especially when setting up and using a lot of fiddle. The outline guide is a guide.
Scientists Unveil Historical Clues To Stradivari’s Craft
There are also guides on violin making on the “Useful Links” page, but I found that Sergei Murgatov has written a book called “The Art Of The Violin Design”, on the English site here, which includes details. bowing (and sixth measure) on pages 50 to 61. Also includes bowing for violas and cellos. He uses the Euler or “Cornu spiral”, “clothoid” or “transitional spiral” rather than the cycloid as the basis for the traditional Stradivarius bow.
Pleasant curves: Easy to draw or construct because it is the level of the curve that rises directly while the distance along the curve from the starting point of the circle, but difficult to describe in school mathematics.
There is an article on using Curtate Cycloids here, and many manufacturers use the cycloid as a basis for arch patterns: for example, there are online calculators here, but this one does not provide control of the “b” parameter for the full arch.
I recently discovered that my best sounding violin had a fuller wing than the “regular street” copy, especially in the back. So I had to make a theoretical model of this fat full bow so I could copy it correctly. Using the cycle curves in this spreadsheet, I calculated the curves for different cycles from “flat” obesity to positive obesity.
Baroque Style Song Maestro 6 Strings 29
Most (long) back violins seem to have a “b” parameter of 5.5 (+ -1, for a = 10) and I checked it with Strad. Outline guide of “Messiah”, Guarnerius (b = 5.3) and Harry Wake (b = 5.9) and Henry Strobel (b = 5.5). The .pdf file can be found above: Click on it and save it. Note that the arch height is greatly exaggerated in these plots! Some violins have wings, so the full cardioid shape cannot draw it.
Don Morris has published some free plans for the “1720 Strad” violin. If printing on A4, they need 65% magnification to get full scale for a body length of 356mm. You can also buy violin projects and other equipment from his website. Dimensions are in US inches. A copy of his plan is also here as a .pdf. Standard measurements for 4/4 and fractional violins can also be found here.
For tummies Strad. arching: Right click on the image and then right click on it to save it in new window. The other silhouette of the belly is here and the sixth belly.
Vojtech Blahout’s website on violin making has excellent resources and has printable prototypes here for the belly and here for the back panel.
Elegant Geometric Construction” Of The Violin
The front and back should really have different bows: the front (belly) has a “flat top” at the long bow (and cross) than the back: often called the “Forum”. A sketch and prototype for “Street”. It can be found here as above and below.
These can be printed full size (use the print size option for your printer) and then cut and pasted. Each to match the “X-X” or bridge line.
The same bowing pattern can be used for the back and abdomen without much error for your first violin.
There is Chapter 5 of Roger Hargrave’s book available here on thickening and CT (!) Scans of violin back and front plates here taken from the VSA paper by Borman and Stoel.
Violin Making, Made Clear And Concise By Leroy F. Geiger, L. M. Cole (editor): Good+ (1935) First Edition.
Bruce Ossman in his book on your first violin (see here) is identical, back and front for simplicity, but not necessarily because you can change it when you create it. .
This is how Onnes Violins sets the tone behind the “cello” they create using various workshop tools, including power tools! The same technique can be applied to the violin or violin, but it is very dangerous. He also has an interesting page on ‘cello’ plate thickness and tuning here using the Apple laptop and ‘Perfect Pitch’ software.
Strad Magazine has a copy of Quentin Playfair’s Cyclo article from The Strad 1999: Available for download: Part 1 and Part 2. These cyclo shapes are easier to create (draw) than descriptive, especially in mathematics, because they use equations of parameters. But it’s much easier to create an arched shape using a spreadsheet and then using the pencil pointer shown on the tool page, and easier to create (more) than Murgatov’s material!
The New York Times published an article in 1994 entitled “The Perfect Violin – Is Art or Physics a Secret?” Available on the Peter Zaret website here as a .pdf file. It has interesting changes to the standard bass and some good stuff on the violin. However, the original text was difficult to read due to the small text, so I reproduced Carleen M Hutchins’ thickness plan from it (left click) for the Mezzo violin (which is an oversized standard violin!), but the thickness is almost the same. like the thickness of Sacconi’s plate for an ordinary violin. The text of the article is here.
Epic Graffiti ‘violin Blueprint Patent Chalkboard’ Canvas Wall Art, 12
The thickness of the front and back panels for the Guarneri ‘del Gesu’ grand violin can be found here, reprinted from ‘The Strad’, September 2005. The Borman violin also shows some interesting violin movements and other dishes here.
There are also plans (A3 size) available for the Ole Bull Violin project (Ole Bull Guarnerius of 1744) than are available on Christophe Landon’s violin site. These include the shape of the spring and the thickness of the plate.
Erik Jansson also provides guidance on thickness in his article “Acoustics for Violin Makers”, Chapter 5, Figure 5.21, page 24.
I have downloaded the correct figure to show where to thin the back panel to reduce either mode 2, mode 5 or both frequencies from the Carleen Hutchins data.
Amazon.com: Soimiss 1 Set Mini Instrument Model Mini Violin Adornment Delicate Mini Instrument Gift
The first one on the left is the “starting” thickness: Remember that you cannot “add” wood, so adjusting the board is always done by removing or thinning wood.
Click on it to see the detailed diagram. Right click on it and use “Save target as…” to save the .jpg file.
For example, using this data, I need to reduce mode 5 of the viola’s abdomen without reducing mode 2, so I took the top and bottom outermost parts shown in the image above from 3.0mm to 2.4 and 2 .5 mm. It took the board’s Mode 5 from 278Hz to 263Hz, but left Mode 2 unchanged at 113Hz.
At the top of this (and all these pages) is the thickness (gradation) for a medium 48 Stradivarius violin back, courtesy of Anders Buen.
Violin Plans Poster Stradivarius Violin Drawn By Robert Dow 1988 Bow Maker
Also included here is the plate thickness of the José Contreras Violin 1767, published in the December 2014 issue of “Strad” magazine. Photos can be found here.
The belly or front panel (click image on the left) is the “standard” thickness of more or less 2.7mm, but please note that it is thicker around the groin.
The back (click image to the right) is interesting as it clearly shows the ‘pear shaped’ area in the center of the back panel and in this example how it extends to the top and bottom of the ‘Lungs’.
It will maintain 2 modes of backup and power
Handcraft 3/4 4/4 Violin Panel Unfished Fiddle Violin Spruce Front Panel Topboard Backplate Made Of Maple For 4/4 Violin
Beginning violin lesson plans, electric violin plans, violin making plans, violin repair, violin plans pdf, violin construction plans, violin program, free violin plans, violin lesson plans, violin plans stradivarius, violin building plans, pochette violin plans
