Human Sketches – He is my nemesis to be honest. One of my ambitions is to be able to draw human faces in my sketchbook as fast as I can with everything else.
With this thought in mind, I challenge myself (like you!) to break the process of drawing a human face. I want to understand what techniques and tools I need to adopt to develop my own style to understand this difficult topic.
Human Sketches
I take great comfort in the fact that I am in line with the great artists throughout the centuries who also struggled with this field of drawing. Van Gogh, for example, began his prolific artistic career by drawing figures in static poses. During the first two years of his career, he spent EVERYTHING mastering drawing. He had trouble with proportion problems, as can be seen in the drawing below on the left.
Sketches Human Mannequins Royalty Free Vector Image
His head is drawn too big as are his shoes and hands (a problem I’m affiliated with). Compare this earlier depiction of the carpenter on the left (Carpenter, 1880. Rijksmuseum Kroller-Muller, Otterlo) with a sketch, two years later, of an old man sitting in a chair (Old Man Reading 1882, Van Gogh Museum, Amsterdam) where he clearly mastered his problems of proportions. It took two years of practice! Perhaps, here lies the first lesson to learn about constant practice. (I love discovering the stories of great artists along the way because it teaches us so much about the journeys they took to get to the famous works of art we know, love, and respect.)
Drawing the human face, in theory, shouldn’t be any less difficult than drawing anything else. All designs are based on proportions. Landscapes, drawn objects or still lifes, buildings and street scenes with people! Human drawing relies heavily on correct proportions, perhaps more so than other drawings.
For example, have you ever found it difficult to draw human heads? I make! It is unclear why this is so. In response to this reason, we emphasize the features, not the forehead and hair because that is where our day-to-day focus is when it comes to communicating with each other. We have to retrain our brains to understand quantum science in a non-emotional way. That’s why you’ll often see me drawing the head last in my designs! I need the rest of the body to measure the size of the head.
So the first lesson for the beginner began to draw the human face, he had to focus on simple shapes, and then on proportions. The American artist Burne Hogarth affirmed this
Ice Bear Mutant Half Animal And Human. Hand Drawn Sketch. Black And White 6660740 Vector Art At Vecteezy
“There are three types of shapes in the human face: ovoid shapes: eggs, balls, and barrel masses; columnar shapes: cylinders, cones; spatula shapes: boxes, slabs, and corner blocks.” That’s how it is!
I will explore how to use simple shapes to start with and then use them to develop an understanding of proportion.
I’ll show you that you have to combine everything from scratch, starting with the stickman I referred to at the beginning of this post!
Yes. Believe it or not, stick men and drawings are an important part of learning how to draw the human figure. Especially if you are a beginner.
Years Of Drawing The Human Body
In 1912, the art world was shocked by a painting called “Touni Descending a Staircase” by a surrealist artist named Marcel DuChamp. I remember seeing this painting at the age of 19 and even being confronted that something that looked like various cardboard people had become a sensation, especially when I studied Renaissance painters and the Masters on human shapes and forms. His semi-abstract nude, however, had an extraordinary sense of movement. Duchamp diverted attention from works of art per se and managed to capture the ideas that lie behind them. We can always say that this is a human shape and form.
Why include this painting in this article and what does it have to do with the stick man and the drawing of the human face? For me, this painting symbolizes not only the deconstruction of the human anatomy, but also its stripping back of its basic forms. It is not particularly accurately transcribed. The genius result, however, is that even the nude is still recognized as a human form.
The stick man to me is about as basic as you can get. Anyone can draw a stick man and usually the most popular comment I hear is “I can draw a stick man”.
I’ll show you how I use the stick man as my starting point and then build a human representation in the video below.
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One of the first things I noticed about stick figure drawing is that you quickly define what kind of human drawing you might ultimately produce. You could be a representation with your wooden person or more like a cartoon. I seem to rotate between the two in my sketchbooks. I like to get as close to precision as possible and enjoy deconstructing an image to capture it.
If you’re feeling stuck as an artist thinking about this idea, or if you’re a total beginner who’s new to all of this, pull out a magazine and draw the stick figure you see on the page with a pen marker. . . I show you how to do this in my Sketch from Scratch online course.
The important thing to remember about drawing the human face is that you have to find ways to demystify it. Everyone develops a different approach and I share mine. In the video accompanying this article, I explain a very basic 3-step approach. Take a picture of the people. Using a picture or magazine and then looking at the picture, see how you would draw a simple stick figure to represent the design.
Try to give them something to do. I went into the water to swim. If you have more time, practice lots and lots of hand drawing on the page. Scribble them on a page. keep it simple Play with them on a page over and over again. Draw a page of different bat men in different poses. Really. When I started, I would find my children’s comic books and bedtime stories and draw on the characters as dolls. I was fascinated by the movement, the shape and the strangeness of my stick figures. Importantly though, it gave me a sense of movement and short circuiting to worry about shortcuts or perspective. The great challenge that we all face when designing human beings.
Human Anatomy Sketches On Behance
Remembering the points I mentioned earlier in this post, now start filling your stick man using shapes and blocks, remember to add curves for the branches and basic shapes to fill. Don’t worry if you’re writing on or around the real number of the starting suit. This exercise is all about getting used to building layers around the stick man shape. Again, as you become more familiar with step 2 of this process, take some time to draw shapes and forms on a page. At the end of an exercise like this, you may no longer have to draw a stick figure to help you.
For those of you who have followed me for a while, you will see me advocating bookmarking as part of your regular sketchbook habit.
After the stickman phase, I fill a page, as Burne Hogarth advocates, with spheres, triangles, circles, and lines to practice on.
Give it a try by simply filling out a few pages with a variety of forms. On a new page, try putting some of these shapes together into a likeness of the human body like I did below. Use reference photos of people. Practice drawing cylinders to help you start thinking in 3D. I used baby squares for the hands and triangles or rectangles for the legs. You could even draw on magazine photos with a marker to get an idea of ​​proportion and shape.
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Just to encourage you that using this methodology works, here’s a one page run of figures I’ve drawn as a timeline. (You can see me rubbing my second drawing of the head, which is something I’m still practicing to get right.) Notice how I draw the shapes using refined rectangles and shapes. I always find it useful to see the shapes in the drawing. I use this technique despite the challenge of foreshortening and perspective of the face sitting on the rock.
Just look beyond your literal understanding of the scene, ie girls sitting on rocks, and just look at the size and space of their forms.
When gluing, always think about the shape of what you see first. My confidence grew from the practice I put into drawing blocky people! My brain then automatically identifies the shapes visually.
I would recommend setting aside a double page spread in your sketchbook and trying to draw various figures. maybe there
Drawing The Human Figure
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